The Marco Polo Cruise Terminal gets a sophisticated new look!

Above: the ABC’s of Judith Mackin’s colour scheme for the Marco Polo terminal. A:  Existing ceiling colour. The new palate had to play nice with this shade, since it wasn’t changing. B:  All columns, the wall area above the wood in the main foyer, and all window/door trim in that area too. C:  The wall area in the back entrance, washroom hallway areas. D:  Wall area and trim above wood in the main terminal area.

Above: the ABC’s of Judith Mackin’s colour scheme for the Marco Polo terminal.
A: Existing ceiling colour. The new palate had to play nice with this shade, since it wasn’t changing.
B: All columns, the wall area above the wood in the main foyer, and all window/door trim in that area too.
C: The wall area in the back entrance, washroom hallway areas.
D: Wall area and trim above wood in the main terminal area.

Monday January 19 saw the scissor-lift go up and the drop cloths go down in the Marco Polo Cruise Terminal. In what will be a month-long project, the building will bid adieu to its dusty rose walls and get a fresh coat of paint that will neutralize and modernize its look.

Emily Teed, Venues Coordinator at Port Saint John, says the change was based largely on feedback from venue rental clients.

“This is our third year of renting the space for weddings and other events, and our clients have told us that the existing colour is hard to work with. We wanted to act on that feedback, and give them a more neutral space – but we also wanted to blend in with the surroundings of our neighbourhood in an historic but also contemporary way,” she says.

That was the direction the Port gave to Judith Mackin of PUNCH Inside – when they asked her develop a new colour scheme for the space.

“I was really pleased to be brought in on the conversation,” says Mackin. “I felt there was a lot we could do to enhance the visitor and user experience with some simple cosmetic changes.”

Mackin’s vision for the new colour scheme, which embraces the wood paneling, polished concrete floor and blue ceiling already in place, conjures up visions of bright and airy Scandinavian airport terminals that mix white with natural textures of wood, concrete and glass.

“It’s no secret that I am an ambassador of white in design,” says Mackin.  “But it really is a great fit for this project. In large spaces like Marco Polo terminal, colour needs to be downplayed. When the building is in use, it’s full of visitors and guests. The focus should be on what’s happening in the room, or on the beautiful views of our harbour and cityscape – not on the walls.”

Above: the team from Tim Desmond Painting, hard at work. (Credit: Judith Mackin)

Above: the team from Tim Desmond Painting, hard at work. (Credit: Judith Mackin)

Bids from three painting companies were solicited, and Tim Desmond Painting was awarded the month-long contract.

“As a rental space for hundreds of events a year, the new colour scheme will be a minimalist backdrop which will accommodate a wide variety of event décor styles, and result in better on-site photography,” says Mackin. “It will also create a soothing, modern environment for cruise passenger reception. Travel can be a stressful time, and a space with minimal visual distractions will complement the visitor experience.”

The project will be complete before the end of February.

“We are really looking forward to the finished product,” says Jim Quinn, CEO of Port Saint John. “We think it will have a tremendous positive impact on the space, raising the bar for the Port as one of the city’s most important venues.”

To book a site tour for your upcoming event, send an email to Emily Teed at: eteed@sjport.com

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